Archive for the ‘From The Designers’ Category

Introducing the Bass Guitar

March 19th, 2012

Bedell Guitars is proud to introduce a new signature series – the Bass Guitar, by Tom Bedell. Here’s a quick look at the custom inlay featured on the headstock of each instrument. The inlay was designed and installed in the Custom Shop in Bend, OR:



The Bass Guitar (TBCE-28-TB) is a Solid Alaskan Sitka Spruce Dreadnought, with Indian Rosewood back and sides. It also features a cutaway, one piece African Mahogany neck, dovetail neck joint and of course – finished off with the stunning custom bass inlay on the finger boards.

Bedell Guitars: The Inspection Process

March 15th, 2012

Bedell Guitars undergo an detailed inspection and set-up process in our Bend, OR custom shop. In this video, we walk you through part of this process:



From the Custom Shop: Bedell Limited Edition #8

March 15th, 2012

CRAFTED ONE AT A TIME IN AMERICA

A truly unique Bedell Limited Edition guitar will be born once a week throughout 2012. Exquisitely crafted from our collection of exotic woods – selected for beauty and tone. Housed in a genuine leather covered hard shell case.

A “Birth Certificate” is included with each instrument. Collectors will be asked to give a name to their Bedell Limited Edition guitar and share their story. The name will be registered and with permission, will be shared along with their story on our website. Once a guitar is registered, the collector will receive a deluxe gigbag, Bedell- Cooperstand, humidifier, and care kit.

The newest model (LEMB-34-8) is an OM Body made of select Portorford Cedar and Myrtlewood Back and Sides (the first Bedell Guitar made with Myrtlewood. It will be bound in Walnut and feature a Rope Rosette, all shining under a high gloss finish. Stay tuned for photos and video of this guitar in the build process.

From the Custom Shop: Bedell Limited Edition #7

March 15th, 2012

CRAFTED ONE AT A TIME IN AMERICA

A truly unique Bedell Limited Edition guitar will be born once a week throughout 2012. Exquisitely crafted from our collection of exotic woods – selected for beauty and tone. Housed in a genuine leather covered hard shell case.

A “Birth Certificate” is included with each instrument. Collectors will be asked to give a name to their Bedell Limited Edition guitar and share their story. The name will be registered and with permission, will be shared along with their story on our website. Once a guitar is registered, the collector will receive a deluxe gigbag, Bedell- Cooperstand, humidifier, and care kit.

The LEJB-58-7 features a Jumbo Body, Adirondack top and Quilted Maple Back and Sides.  In the finish department it will be given a Toner Gloss Finish (to make the maple pop) and bound in Maple. More photos and video to come, so stay tuned!

Bedell Announces New Limited Edition Guitars – Made in the USA

December 29th, 2011

CRAFTED ONE AT A TIME IN AMERICA

A truly unique Bedell Limited Edition guitar will be born once a week throughout 2012. Exquisitely crafted from our collection of exotic woods – selected for beauty and tone. Housed in a genuine leather covered hard shell case.

A “Birth Certificate” is included with each instrument. Collectors will be asked to give a name to their Bedell Limited Edition guitar and share their story. The name will be registered and with permission, will be shared along with their story on our website. Once a guitar is registered, the collector will receive a deluxe gigbag, Bedell- Cooperstand, humidifier, and care kit.

Bedell Designs New Kenny Loggins Edition OH-12-KL

September 8th, 2011

We were offered a sneak peak today at a new design in production over at Bedell Guitars, a beautifully crafted signature parlor guitar. Tom Bedell explains the details of this new instrument:

“The OH-12-KL is an amazing performing and recording Kenny Loggins Signature Parlor Guitar.  The all solid wood AAA African sapele body with Sitka sculpted tone bars is so well balanced it requires little EQ while recording.  And with the one piece African mahogany neck dovetailed in the same grain angle mahogany neck block, paired with the African ebony fingerboard and bridge – this little beauty kicks out a lot of rich sound.  The “C” shaped neck with a 1.7 inch bone nut width make it a dream to play.  Kenny Loggins designed the rosette and selected the Fishman Acoustic Matrix VT electronics.  And as Kenny says, he wrote his new songs on an OH-12-G, recorded them on an OH-12-G and now performs them on his signature OH-12-KL.” – Tom Bedell

An interview with Bedell Guitars designer, Dan Mills

December 13th, 2010

Q.Dan, when did you start plying the guitar… how did you get into all of this?

A. I started playing the guitar when I was 13 after three years in school band playing trumpet. I was much more intense about the guitar and progresses quickly. I loved the tone it made and I was interested in the instrument itself and how it was constructed.

Q. You have been in the industry for some time, how did you get into it?

A. As a teenager I was interested in any job around the local music store. I taught lessons, restrung guitars and moved pianos.  In my early 20’s I went to work full time for Gruhn Guitars in Nashville as a salesman and quickly developed a knack for buying instruments. That was a very natural progression in the used and vintage guitar business.  I was very adept at both buying and selling and was also a good student of business and stringed instrument mentor, George Gruhn. I worked at George’s elbow for years and later managed his business until late 2001. I then spent 4 ½ years at Gibson and worked in both the Bluegrass and Custom divisions learning much about the manufacture and distribution of high quality, traditionally designed instruments. After Gibson I spent two years as a district sales manager in the southeast visiting stores and servicing accounts. I joined Two Old Hippies in Early 2009 as the guitar guy.

Q. I know this can be hard to answer, but what is your favorite type of music to play – listen to?

A. I listen to early 70’s British Rock and American pop, the music I was listening to in high school. I developed a taste for bluegrass, string band, and pre war jazz in the mid 70’s so it was all added to the listening list. I also like world music mixed in when I am in that mood.

Q. What is the most rewarding aspect of designing guitars?

A. Two most rewarding aspects: Hearing the guitar played and someone saying ‘I like that’.

Q. With so many acousitc guitar brands on the market, what is the difference between a Bedell and, say, other brands?

A. Bedell Guitars are handcrafted guitars made of choice, seasoned materials. They are solid wood with improved traditional designs and features at the best price we can provide to our customers. A great sounding, good looking well constructed and smooth playing guitar is our goal with each and every instrument we build.

Q. Why do you do, what you do?

A. I love guitars, the guitar business, guitar players and guitar tones. To be able to design an instrument that is accepted or admired in such a crowded industry is thrilling and allows me to participate in a different thought process than simply speculating about a new instrument or series of instruments. I have had decades of exceptional opportunities to examine and evaluate the very best fretted instruments with peers and expert luthiers and have had numerous in depth conversations regarding tone and playability. Being able to translate that experience into a particular guitar or design refinement is a dream come true.


A little about wood – by Dan Mills

December 12th, 2010

At Bedell Guitars, we use woods from:

We utilize exotic woods of North America, Africa, India, Europe and South America.  We also use smaller amounts of woods from Indonesia and Central America.

The solid woods used to craft your Bedell Guitar not only create a one-of-a-kind, gorgeous appearance for your instrument. More important, the woods-coupled with your playing style, of course-give your instrument its unique sound. All of our woods are individually hand-selected from the finest supplies to ensure a quality instrument and sound we’re certain you’ll appreciate. Once it’s cut, our wood is cured for more than two years at a precisely controlled temperature and humidity level so it’s perfect for crafting your instrument.

To learn more about the woods we use, check out http://www.bedellguitars.com/solid-wood/

A little info on Hide Glue – Dan Mills

December 12th, 2010

Hide Glue:

Hot hide glue is the old style choice for tone. As it dries and becomes very hard, I believe it contributes to crystalline nuances listened for in high quality acoustic guitars. Clarity and brilliance may be also enhanced. – Dan Mills

More info about Hide Glue from Wikipedia:

http://en.wikipedia.org/wiki/Animal_glue

the most common woodworking glue for thousands of years until the advent of synthetic glues such as polyvinyl acetate (PVA) and other resin glues in the 20th century. Today it is used primarily in specialty applications such as lutherie, pipe organ building, piano repairs, and antique restoration. Glass artists take advantage of hide glue’s ability to bond with glass, applying hide glue to glass. As the glue hardens it shrinks, chipping the glass.

It has several advantages and disadvantages compared to other glues. The glue is applied hot, typically with a brush or spatula. Glue is kept hot in a glue pot, which may be an electric unit built for the purpose, a double boiler, or simply a saucepan or crock pot to provide a warm water bath for the container of glue.

Most animal glues are soluble in water, useful for joints which may at some time need to be separated.[1] Alcohol is sometimes applied to such joints to dehydrate the glue, making it more brittle and easier to crack apart.

It may be supplied as granules, flakes, or flat sheets, which have an indefinite shelf life if kept dry. It is dissolved in water, heated and applied warm, typically around 60°C (140°F). Warmer temperatures quickly destroy the strength of hide glue.[2] Commercial glue pots, simple water baths or double boilers may be used to keep the glue hot while in use. As hide glue cools, it gels quickly. At room temperature, prepared hide glue has the consistency of stiff gelatin, which is in fact a similar composition. Gelled hide glue does not have significant strength, so it is vital to apply the glue, fit the pieces, and hold them steady before the glue temperature drops much below 50°C (120°F). All glues have an open time, the amount of time the glue remains liquid and workable. Joining parts after the open time is expired results in a weak bond. Hide glue’s open time is usually a minute or less. In practice, this often means having to heat the pieces to be glued, and gluing in a very warm room,[3] though these steps can be dispensed with if the glue and clamp operation can be carried out quickly.

Where hide glue is in occasional use, excess glue may be held in a freezer, to prevent spoilage from the growth of microorganisms. Joints to be glued with hide glue must fit perfectly, as it has poor gap-filling properties.

Dan Mills on Bedell Guitar Body Design

December 12th, 2010

Body design:

Players choose different body styles for tone, comfort, cosmetics and convenience. Dreadnought and jumbo body sizes provide big tones and volume from the larger body volume being a greater mass of vibration. The orchestra body produces an all around combination of volume, richness and enunciation. Parlor guitars are very easy to play seated or standing due to the easy to reach around smaller size. Many players enjoy more than one size in different settings or playing different styles of music. To hear samples of our different Bedell guitars in the studio – check out our good friend Gene Miller, playing a selection of Bedell Guitars in our video section: http://www.bedellguitars.com/videos/